Upcoming Exhibitions

 

 

 

 

Bisa ButlerMarch 15 - June 14, 2020

Bisa Butler. Black Star Family, first class tickets to Liberia, 2018, Cotton, silk and denim, Private Collection, Saint Louis, MO

 

Bisa Butler: Portraits will be the first solo museum exhibition of the artist’s work and will feature approximately 25 of her vivid and larger-than-life quilts that capture African American identity and culture. The show will be on view at the Katonah Museum of Art (KMA) from March 15 to June 14, 2020 and travel to the Art Institute of Chicago (AIC) from September 5, 2020 to January 24, 2021.  A fully illustrated catalogue will accompany the show.  The exhibition is being organized by Associate Curator, Michele Wije at the KMA and by Assistant Curator, Erica Warren at the AIC and will feature approximately 25-30 of Bisa Butler’s most important works to date.  

Butler, a formally trained African American artist of Ghanaian heritage, broaches the dividing line between creating with paints on canvas and creating with fiber by fashioning magnificent quilts and elevating a medium hitherto designated as craft into one that is clearly high art.   While quilts have historically been isolated in the history of art as the products of working women, Butler’s work not only acknowledges this tradition, but also reinvents it.   Continuing with an aesthetic set in motion by artists such as Romare Bearden and Faith Ringgold, Butler forges an individual and expressive signature style that draws upon her own cultural background and experiences.   

Her emergence as a quilt artist began humbly when, as a result of a fiber arts class taken at Howard University, she constructed a quilt for her dying grandmother mainly as a means of comfort.   As a child Butler had often spent time poring over black and white photographs with her grandmother, who told her stories about the people in each one.   This experience of creating narrative and identity informs her quilts. The vibrant portraits of African American life and the tales the quilts tell are largely based on photographs from which Butler takes inspiration.  She creates a story around each image, and, in her choice of fabrics, she uses texture, color and the cultural origin of the cloth as part of a personal iconography that makes statements about society and identity.  African painted cotton and mud cloth tells the story of her ancestral homeland, vintage lace and aged satin might demonstrate the delicacy and refinement of times past while multi-colored organza and layered netting can convey a story of someone colorful and multifaceted.  The constructed nature of the work with its reliance on piecing and stitching acknowledges the traditions of needlework normally associated with women and domesticity.  Butler subverts this notion through her choice of motifs, embellishments, patterning and scale, all drawn from African textiles.  What results are stunning works that transform family memories and cultural practices into works of social statement.